Van Gogh’s “Sunflowers” are amongst his most well-known paintings, but few individuals realize he did many sunflower pictures, not just essentially the most well-known “Vase with Twelve Sunflowers” and “Vase with Fifteen Sunflowers.” These have been canvases he made to decorate the Yellow House in Arles in anticipation of his good friend Paul Gauguin’s visit, and within the hope that other artists would comply with and form a Utopian art community. A few of Vincent’s sunflower paintings are all but indistinguishable, with only tiny variations to prove one copy is totally different from the next. Throughout his stay in Paris, he painted lower sunflowers in numerous levels of being, from recent to wilted to dry.
He appears to have brought his passion for sunflowers with him from his homeland in Holland wherever he roamed, and certainly, they make the type of dramatic subject he loved. Around the globe as we speak, the sunflower is synonymous with Vincent’s work, instantly recognizable and each bit as a lot his personal because the water lilies belonging to Monet.
Vincent’s “Sunflowers No. 2,” probably the most famous sunflower nonetheless life, yellow on yellow, possesses the same common attraction and impact of all his most beloved pictures. So widespread is the enchantment of his sunflowers, in reality, that in 1987, a Japanese firm paid a file of the equivalent of just about 40 million dollars for “Vase with Fifteen Sunflowers” at an auction. Van Gogh’s many sunflower canvases are flung all around the world in testimony to his mastery, now residing in art galleries in Europe, London and Tokyo, to name a few.
Throughout his keep in Paris, Vincent hobnobbed with among the biggest Impressionist painters of the period. The artists all had an amazing impact on each other, together with van Gogh, who was recognized as a formidable genius by “Les Vingt,” Monet and Toulouse Lautrec, amongst others. One can readily discern the Paris sunflowers from those Vincent painted later, within the Yellow House at Arles, since they’re lower flowers without vases. These lower sunflowers are depicted in varied phases of wilting, but Vincent’s last vivid and daring colour palette is obvious at this level in his inventive development, permeating the pictures with life and joy.
The grasp’s influence on western artwork and artists cannot be overstated. His work bridged impressionism, expressionism, cubism and more with a singular language understood by all lovers of beauty and truth. The enormous reputation of a simple vase of sunflowers attests to his power and sincerity.
Although Vincent was stricken by a severe psychological imbalance and ultimately took his personal life, he left a body of over 2,000 canvases, painted in a few decade, as a residing legacy. Whether or not they characterize his portrayals of living fields of wheat or swirling stars, tender and considerate portraits of the peasants he liked or starkly vivid flowers in a simple vase, his works all bear his personal stylistic imprint. Seen as an excellent form of communication of the spirit, his work succeeded past his wildest dreams to comfort and console humanity by way of art. It’s by his work, not his over-romanticized, beleaguered life, that he should be judged as the poet, prophet and master artist he was.